Ceci Moss is a curator, writer and educator. She is the founder of Gas, a mobile, autonomous, experimental and networked platform for contemporary art located in a truck gallery parked around Los Angeles and online. She has a MA and PhD in Comparative Literature from New York University, and a BA in History and Sociology from U.C. Berkeley. Her academic research addresses contemporary internet-based art practice and network culture. Her PhD dissertation “Expanded Internet Art and the Informational Milieu” examines the expansion of internet art beyond the screen in the 2000’s, especially towards sculpture and installation, as a product of what theorist Tiziana Terranova called an “informational milieu.” Combining art history and media theory through the analysis of case studies that range from internet art and social media in the 2000’s to Jean-François Lyotard’s groundbreaking new media exhibition at the Centre Pompidou in 1985 Les Immatériaux, her dissertation asks how the widespread technological capture of information affects cultural production, specifically contemporary art, and the kind of critical response it necessitates. She has held teaching positions at the San Francisco Art Institute and New York University. Her writing has appeared in Rhizome, Art in America, ArtAsiaPacific, Artforum, The Wire, CURA, New Media & Society and various art catalogs.

For the past twelve years, Moss has worked in non-profit arts organizations in various curatorial, editorial and fundraising capacities. Previously, she was Assistant Curator of Visual Arts at Yerba Buena Center for the Arts, the Senior Editor of the art and technology non-profit arts organization Rhizome, and Special Projects Coordinator at the New Museum of Contemporary Art. Her wide-ranging curatorial projects encompass numerous exhibitions (both solo and group shows), public art commissions, public programs and publications. Highlights include the touring group exhibit Alien She co-curated with Astria Suparak on the influence of the punk feminist movement Riot Grrrl, the group show Office Space presenting works that subverted office design, the triennial Bay Area Now, a large scale public art installation with Kota Ezawa, and several solo exhibitions involving new commissions for artists such as Samara Golden, Shana Moulton, Metahaven, Nate Boyce and Jacqueline Kiyomi Gordon. Her curatorial projects have received critical praise from The New York Times, Artforum, The Huffington Post, LA Weekly, Flash Art, Fast Company, The Wire, and Creator’s Project.

Contact: cecimoss(at)gmail.com
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Portrait by Suzy Poling
A Million Keys logo designed by Nicole Ginelli


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